History:
Brahmaji (The God of Creation) was the first person to have the Deity (Swaroop) of Shri Dwarikadhishji (also known as Shri DwarikaNathaji or Shri Dwarikeshji) with Him. Kardam Rushi was the next person to receive this Swaroop. The Swaroop was handed over and worshipped by Devsharma and his son Vishnu Sharma. Then it went in the hands of an Old lady.
The Dwarikadhishji Swaroop reappeared at Siddhapur (Gujarat) in the times of King Ambrish. He established this Swaroop as his prime God in his kingdom. The Swaroop was worshipped with royal dignity here. Lord Dwarkadhishji was successively worshipped by famous personality like Vasishtha Mooni, King Dasharath (father of Lord Rama), Bharadwaja Mooni, Kashyap Mooni, Maharshi Vyas, King Yudhishtir, and King Parikshit and by a Brahmin named Shaur Sharma.
One night Lord appeared in the dreams of Saur Sharma. Lord told him His desire to migrate to Mount Arbuda (Mount Abu). A temple of Lord Dwarikashishji was established here and Rushi-Moonis worshipped Him dearly.
Shri Narayandasaji had dreams about Lord Dwarikanathaji. He was a tailor in the town of Kanoj (famous for perfumes). During one of the dreams, Lord instructed him to retrieve the image, which was lying in an old broken shrine at Mount Abu, and to establish His temple at Kanoj. He made the temple for the Lord in Kanoj.
When Shri Vallabhacharyaji Mahaprabhuji visited Kanoj, he told his disciple Shri Damodardas Sambharwala to bring the deity of Shri Dwarikadhishji from Narayandasji to him. Shri Mahaprabhuji gave the swaroop to Shri Damodardasji. After his death the swaroop was brought back to Shri Mahaprabhuji. His son Shri Vitthalnathaji (Shri Gusainji) inherited Lord Dwarikadhishji's swaroop from his father. Lord Dwarikadhishji was then given to his third son Shri Balkrushnaji.as a prime deity. From that time onwards Lord Dwarikanathaji's swaroop has been worshipped by his offsprings in the Third seat (Trutiya Peetha). The present location of Lord Dwarikanataji is Kankaroli, near Shri Nathaji in Rajasthan.
Description Of Lord Dwarkadhishji :
The swaroop (deity) is made out of black stone with square stele ( Pithika ). Lord has four arms with ayudhas , weapons. Lower right arm has a lotus. Upper right arm has a Mace ( Gada ). Upper left arm contains Disc ( Chakra ) and lower left arm has conch ( Shankh ). The two four armed images on each upper corner of the stele are other forms of Shri Dwarikadhishji, while the two figures on either side of his feet are Krishna's four sakhis , consorts.
Location:
During the time of Shri Mahaprabhuji (1479 to 1531) the swaroop was established at Gokul in North India. During the time of King Aurangzeb it was brought to Ahmedabad (Gujarat) due to unsafe political conditions in North India in the year 1670. Then the swaroop was enshrined in Asotia, a small village near Udaipur (Rajasthan), where it remained until 1719. Finally the swarup was installed in the palatial haveli at Kankaroli near Nathadwara in 1720, where it has remained ever since. Maharana Raysingh, built this magnificent Temple of Lord Dwarkadhishji at Kankaroli on the banks of lake RaySagar. The current head of this temple is Trutiya Pithadhish Goswami Shri Vrajesh Kumar Maharajshri. He is also known as Kankaroli Naresh.
The swaroop inception date is Fifth day of first half of the month Ashadha.
Swaroop (Leela) Bhavana:
The image represents Krishna playing ankh-michoni , hide-and-seek, with Radha and other gopis . Once Shri Radhikaji was playing in the park on Yamuna River, with her friends. Lord Krishna appeared here. He appeared from behind Shri Radhikaji, indicating to the other gopis with significant gesture of His eyebrows not to let her know. He then closed her eyes with his palms, intending to ask her who it was. He wanted to remain anonymous and wanted to see if Radhikaji could recognize Him. Thinking that his voice would betray him, he produced another pair of hands with the help of His divine powers and holding his flute with these extra hands. Thinking that Radhikaji has always thought of Him with two arms, she would not recognize Him, asked Radha who he was. Radha immediately recognized the divine melody and identified Him as Chaturbhuja ( Four armed).
Significance Of The Ayudhas:
The various ayudhas in the four hands of this image have interpretations related to this story. The lower right hand of the image holds a lotus, which is compared to Radha's palm trying to push Krishna's hand away from her eyes. The upper right hand holds Gada , mace, said to be Radha's hand moving up to embrace Krishna when she saw his four armed divine form. The upper left hand holds a Chakra , disc, representing the impressions left by Radha's Kangans , bracelets, during her embrace. The lower left hand holds a Shankha , conch, identified as Radha's neck as it was when the Lord closed her eyes with his palms.
3rd Peeth:
The Trutiya (third) Peeth is associated with Pushtimarg, the path of Divine Grace, established by Jagadguru Shri Vallabhacharyaji Mahaprabhuji. He was the fifth and last prime Acharyas of Hinduism. (The other four being: Shri Shankaracharya, Shri Nimbakacharya, Shri Ramanujacharya and Shri Madhvachrya. He propagated the philosophy of pure non-dualism known as Shuddhadvaita.
Shri Vallabhacharyaji had two sons: Shri Gopinathaji and Shri Vitthalnathaji-also known as Shri Gusainji. Shri Gusainji initiated seven Peeths (Houses, Seats) for each of his seven sons. Each son was given a Nidhi (means Wealth/Ocean) swaroop (central deity) for performing Sewa. Shri Balkrushnaji was the third son of Shri Gusainji. When the seven images were distributed to Shri Gusainji's seven sons, this swaroop was passed on to Balkrishnaji.
TrutiyaPeeth is situated in Kankaroli in Rajasthan near the prime Temple of Pushtimarg-Shri Nathaji.
Prime Point Of 3rd Peeth:
Currently Pujyapad Goswami 108 Shri Vagishkumarji Maharajshri is the head of the peeth. He is the 18th descendant of Shri Vallabhacharyaji Mahaprabhuji. He is also known as Kankroli Naresh. His older son Vedantkumarji and younger son Siddhantkumarji, who are also known as Kankroli Yuvraj.